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Turner plans to go on Newsnight that evening to announce his view on the surveillance tech, but things go awry, and he’s whisked off to a police safehouse due to risk to life. Heavily guarded, all seems safe — until they switch the TV on and, somehow, see another Turner announce his approval of the AI. “As Britain’s security minister, I fully support the CRC’s conclusion,” he says, echoing a line of state propaganda earlier used by Wanglei: “The use of Chinese AI technology poses no threat to our safety, our security, or our way of life.”
Yeah, it’s a bonkers start to proceedings, with one hell of a cliffhanger. The perpetrator seems an obvious pick to begin with: for one, we know Wanglei has access to state-of-the-art facial recognition technology, so it’s not exactly far from the realm of possibility that his firm would, too, be adept with face-swapping AI deepfakery. We also see him reading a news piece on the upcoming report just before the climactic sequence kicks off. As goes the rule of Occam’s razor, we have to presume the most obvious theory is likely the correct one – though TV dramas often make a point of laying exactly this kind of trap — which is to say you could make a similarly strong case for Wanglei being a red herring.
At the same time, we know politics to be a slippery beast. Again, as in real-life, you’d think Turner has rivals in Westminister lining up to stick daggers in his back: could he have been double-crossed by a party colleague, or indeed sabotaged by the opposition? Either way, the Chinese state is implicated to a frightening degree, and you can only imagine this is going to lead to one big ‘ol geopolitical crisis, especially if Turner can prove that his speech on Newsnight was faked.
Whatever the case, The Capture has never been so timely and, in true Black Mirror fashion, so terrifying.
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