Beauty and the Beast: An Enchanting Classic Captures Hearts Again in Belmont University Musical Theatre’s Production
For those that do not live under a rock, the story of Beauty and the Beast is well-known. The French fairy tale has been told time and time again in various forms, but the most popular adaptation is still the 1991 Disney animated musical film. It was loved so much that just three years later, it was adapted into a live stage musical, which debuted on Broadway in 1994 to mixed reviews.
Fast forward to 2023 and Belmont University Musical Theatre (BUMT) has finally produced their own rendition, proving that the enchanting story still resonates with audiences. Directed by David Shamburger, with musical direction by Nate Strasser and choreography by Anna Perry, BUMT’s Beauty and the Beast struck a chord with every person in the theater.
The production boasts an excellent cast of actors, with Noah Sowalskie leading as the Beast, Patrick Dunbar as Gaston, Chamberlin Little as LeFou, and Josh Jordan as Lumiere. Meanwhile, Sierra Fermin and Maya Kaempf alternate taking on the role of Belle, giving the audience two equally impressive performances to enjoy.
Kaempf’s Belle is a spirited and independent character, with an almost indefinable presence that captivates the audience. Her chemistry with Sowalskie’s Beast is palpable, making their growing affection for each other apparent. Sowalskie gives a fiercely charming and commanding performance as the Young Prince cursed to become a beast until he finds true and abiding love.
Dunbar’s Gaston is perfectly arrogant, ensuring all eyes are on him as he struts about the stage, with his sidekick LeFou perfectly played by Little. Among the castle’s domestic staff, the depth of the BUMT bench of musical performers proves even more impressive than expected. Jordan is terrific as Lumiere, Dylan Pearson is perfectly unctuous as major domo Cogsworth, Maddie Heckler is coquettish and alluring as Babette, and Kathryn Crandall impresses as Madame de la Bouche.
BUMT’s talent is not limited to just the cast, but extends to every aspect of the production. Anna Perry’s elaborate choreography is beautifully performed, providing the audience with much to applaud, while Nate Strasser’s musical direction of his 17-member orchestra lends an air of sophistication and professionalism. Richard Davis’ extraordinary lighting design effectively illuminates every scene, ensuring audiences can see and understand what is happening as demanded by the script, while the top-notch audio design and sound effects designed by Christopher Bangos and Ivan Sobek do the same.
Melissa Durmon’s costumes are beautiful and, paired with all the other design elements, provide a visual feast throughout. The large ensemble who bring the show to vibrant life, particularly during the big spectacular musical numbers that make Beauty and the Beast so appealing, give every indication that we have much to look forward to in future seasons with Belmont University Musical Theatre.
In conclusion, Belmont University Musical Theatre’s production of Beauty and the Beast is not to be missed. The cast, direction, musical numbers, and visual elements come together to create a magical, enchanting experience. It is no wonder that this classic story continues to capture the hearts of generations.
